Even when he wasn't working on a particular movie, he was often approached by studio production heads in need of advice when the scoring of a movie ran into trouble. Newman spent the '30s scoring some of the most prestigious movies of the decade, including Street Scene, Dodsworth, Stella Dallas, Dead End, The Prisoner of Zenda, Gunga Din, and Young Mr. Soon, he also began working for 20th Century-Fox. There he was taken on by movie mogul Samuel Goldwyn and United Artists, and established himself as one of the movie capitol's two undisputed masters of music (the other was Max Steiner). When Berlin was brought to Hollywood at the dawn of the sound era, he arranged for Newman to come with him. Newman worked his way up from vaudeville to the orchestra pit of the Broadway theaters, and eventually became an established conductor and arranger known and respected by all of the best composers, including Irving Berlin. He played for virtuoso Jan Ignace Paderewski, who arranged a New York recital for the boy, and a performing career seemed in the offing, until he was forced to begin earning a living for his family. The first-born of ten children to an impoverished produce seller in New Haven, CT, Newman manifested his musical interests very early, and by the age of eight was well-known locally as a piano prodigy. His 44 Oscar nominations and nine Academy Awards are both records that are unlikely ever to be broken. Alfred Newman (1901-1970) was, for much of his career, the most influential and respected composer and music director in Hollywood.
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